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Television 12.13.2018
VFX Rules the Cyberpunk Universe of ALTERED CARBON
Effects help conjure a darkly compelling sci-fi universe
VFX Vault 12.13.2018
40 Years Ago, a Man Did Fly… SUPERMAN
Revisiting 1978's SUPERMAN with Effects Director Colin Chilvers
VFX Careers 12.13.2018
A Globe-Trotter’s Guide to the Wide World of VFX
Singapore-based Dayne Cowan, VP of Film at VHQ Media, recounts his global career journey in visual effects for VFX Voice
VES Section Profile 12.13.2018
London Calling: Thriving in a VFX Metropolis
Founded in 2007, the VES London Section is thriving with nearly 250 members
VES News 12.13.2018
Visual Effects Society Celebrates Distinguished 2018 VES Fellows
In 2018, the VES Board of Directors was privileged to bestow the VES Fellows mark of distinction upon five exemplary professionals
Final Frame 12.13.2018
Final Frame: MARY POPPINS’ Oscar-Winning Effects – 55 Years Ago
The visual effects for Mary Poppins came together via a unique collaboration of on-set physical effects, matte painting, process photography, in-camera effects, traveling mattes and optical printing
Executive Note 12.13.2018
Executive Note: Winter 2019
Welcome to the Winter 2019 issue of VFX Voice!
Exclusives, Television 12.11.2018
BOSCH: The Effects You Don’t See
VFX studio Moving Target on its invisible effects shots for Amazon Studios' BOSCH
Exclusives, VR Trends 12.04.2018
Graham Sack Explores the Depths of Historical and Psychological VR
Writer/director Graham Sack on the 360 VR video Lincoln in the Bardo and the four-part VR series The Interpretation of Dreams
Exclusives, Film 11.27.2018
RenderMan at 30: A Visual History
VFX Voice looks back at 30 years of Pixar's RenderMan software.
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