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Final Frame 09.27.2018
Disneyland – When the Future was 1986
When Disneyland opened, Tomorrowland, the park’s portal to the future, only represented the future in the year 1986.
Executive Note 09.27.2018
Executive Note: Fall 2018
Welcome to the Fall 2018 issue of VFX Voice!
Exclusives, Film 09.24.2018
An Explosion of VFX Still to Come in 2018
VFX Voice previews notable Fall 2018 upcoming releases.
Exclusives, Film 09.17.2018
Entrenched in the Deep, Dark Depths with THE MEG
DNEG VFX Supervisor Raymond Chen on the monumental task of producing the underwater environment in THE MEG
VFX Weekly 09.14.2018
VFX Weekly
News on the VFX Creative Arts Emmy Award, India's first $75 million VFX movie, many People on the Move, and the VFX of The Meg
Exclusives, Film 09.11.2018
THE MEG: How Imageworks Helped Make a Massive Megalodon
THE MEG VFX Supervisor Sue Rowe on creating the final Megalodon battle
Exclusives, Film 09.04.2018
The Puppet Masters Behind THE HAPPYTIME MURDERS
The Happytime Murders VFX Supervisor Sam Nicholson on the intricate compositing of greenscreened puppets and the inclusion of fully CG puppets on screen.
Exclusives, Film 08.28.2018
Planes, Paris, Masks and Mirrors: The VFX of MISSION: IMPOSSIBLE – FALLOUT
Mission: Impossible - Fallout Production VFX Supervisor Jody Johnson on the sequel's 2,000 effects shots
Animation, Exclusives 08.21.2018
HOTEL TRANSYLVANIA 3: The Making of a Giant, Singing Kraken
Hotel Transylvania 3: Summer Vacation VFX Supervisor Mike Ford on how the movie's Kraken was created.
Exclusives 08.15.2018
SOLO VFX Supervisor Rob Bredow on the Power of Creativity
ILM's Rob Bredow on Creativity and the Academy Software Foundation
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