VFX Voice

The award-winning definitive authority on all things visual effects in the world of film, TV, gaming, virtual reality, commercials, theme parks, and other new media.

Winner of two prestigious 2018 Folio Awards for excellence in publishing.

 

Subscribe to the VFX Voice Print Edition

Subscriptions & Single Issues


December 13
2018

ISSUE

Winter 2019

Executive Note: Winter 2019

Mike Chambers, Chair, VES Board of Directors

Eric Roth, VES Executive Director

Welcome to the Winter issue of VFX Voice!

We’re thrilled to celebrate awards season, where outstanding visual effects artistry is in the spotlight.

In this issue, we’ll preview the top contenders for the VES Awards, the Oscars and the BAFTAs, and take a deep dive into winter VFX. We go behind the scenes of Welcome to Marwen and the creation of the Spider-Verse. Technical and creative genius Phil Tippett, VES takes center stage in this issue’s legends profile. Get an exclusive look at Netflix programming and its growing commitment to VFX, read the latest on script-to-previs and virtual production, get a special look at VFX in the U.K. and then get nostalgic with a look back at the original big-screen Superman. It’s all in here and more!

And in big news, VFX Voice won two major awards at the 2018 FOLIO: Eddie and Ozzie Awards, one of the most prestigious national awards programs in the publishing community, for Launch of a New Magazine (Association/Nonprofit) and Design of a New Magazine (Professional/Membership Organization).

We’re continuing to bring you exclusive stories between issues that are only available online at VFXVoice.com. You can also get VFX Voice and VES updates by following us on Twitter at @VFXSociety.

Your enthusiasm and support has made VFX Voice a must-read publication around the globe, and we’re proud to be the definitive authority of all things VFX.


Share this post with

Get the Latest VFX News

Receive notifications when WEB EXCLUSIVE content is posted on VFXVoice.com

Select List(s)*

Most Popular Stories

The Miniature Models of <strong>BLADE RUNNER</strong>
02 October 2017
Executive Note
The Miniature Models of BLADE RUNNER
In 1982, Ridley Scott’s Blade Runner set a distinctive tone for the look and feel of many sci-fi future film noirs to come, taking advantage of stylized production design, art direction and visual effects work.
THE PEARL: THE SUPER ALIEN MODELS OF<strong> VALERIAN</strong>
02 August 2017
Executive Note
THE PEARL: THE SUPER ALIEN MODELS OF VALERIAN
Among the many creatures and aliens showcased in Luc Besson’s Valerian and the City of a Thousand Planets are members of the Pearl, a beautiful...
The New <strong>Artificial Intelligence</strong> Frontier of VFX
20 March 2019
Executive Note
The New Artificial Intelligence Frontier of VFX
The new wave of smart VFX software solutions utilizing A.I.
Converting a Classic: How Stereo D Gave <strong>TERMINATOR 2: JUDGMENT DAY</strong> a 3D Makeover
24 August 2017
Executive Note
Converting a Classic: How Stereo D Gave TERMINATOR 2: JUDGMENT DAY a 3D Makeover
James Cameron loves stereo. He took full advantage of shooting in native 3D on Avatar, and has made his thoughts clear in recent times about the importance of shooting natively in stereo when possible...
2018 – Year of the Rapidly Expanding <b>VFX Moviemaking Vocabulary</b>
03 April 2018
Executive Note
2018 – Year of the Rapidly Expanding VFX Moviemaking Vocabulary
Industry leaders discuss trends and issues.