VFX Voice

The award-winning definitive authority on all things visual effects in the world of film, TV, gaming, virtual reality, commercials, theme parks, and other new media.

Winner of two prestigious 2018 Folio Awards for excellence in publishing.


Subscribe to the VFX Voice Print Edition

Subscriptions & Single Issues

September 27, 2018

The Fall 2018 Issue of VFX Voice is Here!

Check out all of the Fall 2018 VFX Voice articles online now! (VFX Voice)

An Explosion of VFX Still to Come

VFX Voice previews notable Fall 2018 upcoming releases. (VFX Voice)

VR’s Content Drought

Why can’t VR content, cash and consumers converge? (Animation World Network)

PowerHouse VFX Leverages World-Class Talent and Strategic Partnership With Sixteen19

Building on a rock-solid foundation of quality work and deep relationships, the boutique VFX house looks back on a stellar first year in operation. (Shoot Online)

Rising Sun Pictures’ Delivers Adrenaline-Fueled VFX for Fox’s The Predator

Working on a short schedule, studio produces more than 100 shots for alien adventure. (SHOOT Online)

Biggest Ever VR/AR/MR Art Show Coming to sp[a]ce gallery

Pasadena, California’s sp[a]ce gallery at Ayzenberg has announced its fifth exhibition will be “Spatial Reality: Artists Explore the Future of XR,” curated by VRScout editor-at-large Jesse Damiani. (Animation Magazine)

Visual Effects Society Announces 2018 VES Fellows

Distinguished VFX Practitioners to be Recognized at Exclusive Celebration (Animation World Network)

Avengers: Infinity War Leads Hollywood Professional Association Awards Feature Nominations

Blade Runner 2049 and The Shape of Water also received multiple feature noms. (The Hollywood Reporter)

Academy Sci-Tech Council Adds Six New Members

VES member Rod Bogart among new members of the Academy’s Science and Technology Council. (Animation World Network)

Former Telltale Employee Files Suit After Massive Layoffs

The complaint alleges the game developer violated California’s WARN Act, which states employers must give workers at least 60 days advance notice of termination. (Variety)

People on the Move

Andrew Morley Named Head of VFX at Outpost VFX

Veteran visual effects supervisor, who worked on Avatar and Avengers: Infinity War, will oversee team at studio’s Bournemouth facility. (Animation World Network)


Anthony Gibbs promoted to Creative Director at Framestore

Framestore announces the promotion of Anthony Gibbs to Creative Director, from his previous position of Design Director. (Framestore)


Get the Latest VFX News

Receive notifications when WEB EXCLUSIVE or VFX WEEKLY content is posted on VFX Voice

Name *

Email *

Interested groups *
Web Exclusives
VFX Weekly

Get the Latest VFX News

Receive notifications when WEB EXCLUSIVE content is posted on VFXVoice.com

Popular Posts

The Miniature Models of <strong>BLADE RUNNER</strong>
02 October 2017
VFX Weekly
The Miniature Models of BLADE RUNNER
In 1982, Ridley Scott’s Blade Runner set a distinctive tone for the look and feel of many sci-fi future film noirs to come, taking advantage of stylized production design, art direction and visual effects work.
02 August 2017
VFX Weekly
Among the many creatures and aliens showcased in Luc Besson’s Valerian and the City of a Thousand Planets are members of the Pearl, a beautiful...
Converting a Classic: How Stereo D Gave <strong>TERMINATOR 2: JUDGMENT DAY</strong> a 3D Makeover
24 August 2017
VFX Weekly
Converting a Classic: How Stereo D Gave TERMINATOR 2: JUDGMENT DAY a 3D Makeover
James Cameron loves stereo. He took full advantage of shooting in native 3D on Avatar, and has made his thoughts clear in recent times about the importance of shooting natively in stereo when possible...
2018 – Year of the Rapidly Expanding <b>VFX Moviemaking Vocabulary</b>
03 April 2018
VFX Weekly
2018 – Year of the Rapidly Expanding VFX Moviemaking Vocabulary
Industry leaders discuss trends and issues.
<b>AVATAR: FLIGHT OF PASSAGE</b>: A Cinematic, Multi-Sensory 3D Experience that Soars
24 June 2018
VFX Weekly
AVATAR: FLIGHT OF PASSAGE: A Cinematic, Multi-Sensory 3D Experience that Soars
How the sci-fi fantasy gem became a 3D thrill ride.