23 January 2024
VFX Weekly
Avengers: Infinity War Garners Top Feature Film; Spider‐Man: Into the Spider‐Verse is Top Animated Feature Film; Lost in Space Leads the Broadcast Wins (Visual Effects Society)
Adobe Senior Product Manager of Animation Sirr Less on developing new tools and workflows for animation (VFX Voice)
VFX supervisor Roger Guyett has been along for the ride on two of the most demanding projects of Steven Spielberg’s career. (Deadline)
Joe and Anthony Russo’s Avengers: Infinity War is not just a narrative epic – bringing together more than 20 established characters from the Marvel Cinematic Universe – but also a remarkable visual effects feat. (Cinema Blend)
Scott Knowlton and Noah Lydiard, co-owners of Conductor Productions, have recently announced the merger of Engine Room Edit and Brewhouse VFX into Conductor Productions (SHOOT Online)
Bounemouth-based VFX house to provide staff with an uncapped holiday allowance (Broadcast Now)
In this op-ed, Georgia Cano is speaking publicly for the first time about why she became involved in the lawsuit and the effect that it has had on her professional and personal life (Cartoon Brew)
David Benioff and Dan Weiss speak about the HBO show’s biggest VFX challenges and how they’ll face its last episodes. (The Hollywood Reporter)
With Spider-Man: Into the Spider-Verse, the Sony studio won the Annie for Best Animated Feature for the first time in its 17-year history. (Cartoon Brew)
Insights come from a trio whose body of work spans Oscar and VES Award wins, nominations (SHOOT Online)
WETA – the digital visual effects company behind Lord of the Rings, Avatar and The Jungle Book – created new technology in order to bring Alita to life in the most hyperrealistic way possible. (Yahoo! Movies)
Oscar-winning creative studio Framestore partnered with Anibrain to helm a series of recruitment roadshows across India. (Animation Express)
Creative agency Galactig has created the app to help spread awareness. (VRFocus)
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