The award-winning definitive authority on all things visual effects in the world of film, TV, gaming, virtual reality, commercials, theme parks, and other new media.
Winner of two prestigious 2018 Folio Awards for excellence in publishing.
DNEG TV VFX Co-Supervisors Brian Connor on the VFX of Hulu’s CATCH-22 (VFX Voice)
Visual effects researcher Doug Roble is developing technology that creates hyper-realistic digital versions of humans. He explores the implications of this technology — both for good and bad (NPR)
Hong Kong-listed company is investing in virtual reality, interactive technology (South China Morning Post)
Epic Games is at the SIGGRAPH 2019 conference to reveal Unreal Engine features that are changing the art of filmmaking and enabling new virtual production techniques for final pixels in real time (Animation Magazine)
The two products inaugurate a brand-new VFX category in the PTA, which verifies that they meet technical and delivery specifications for Netflix Original movies and shows (Studio Daily)
The biographical film stars Robert De Niro as Frank “The Irishman” Sheeran, a labor union leader and alleged hitman for the Bufalino crime family, and Al Pacino as union activist Jimmy Hoffa (The Hollywood Reporter)
This delicate work, as well as the complex CG ‘Smart Hulk’ and Thanos, was revealed Monday by the VFX team at the CG confab SIGGRAPH (The Hollywood Reporter)
Maya’s new visual programming environment being showcased along with newest versions of Arnold, 3ds Max, Shotgun and Flame (Animation World Network)
The ASWF, an open source software development group launched last year that promotes growth and innovation in the motion picture community, announces three new member companies (Animation World Network)
Bristowe’s credits include Aladdin, Star Wars: The Last Jedi and The Crown (Broadcast)
She is the first chair of this program, which was formerly joined with SVA’s BFA Film department (Animation Magazine)