23 January 2024
VFX Weekly
Mavericks VFX Visual Effects Supervisor Brendan Taylor on the fire and smoke effects in Hulu’s THE HANDMAID’S TALE. (VFX Voice)
“It’s special,” Cameron said of the TERMINATOR success that propelled him toward ever-grander spectacle projects like ALIENS, THE ABYSS, TITANIC, and AVATAR (Deadline)
Led by Emmy-nominated VFX supervisor Mahmoud Rahnama, the studio’s visual effects work spanned 1,100 shots done in just 11 months across four different facilities (Animation World Network)
From scientific research to comedic timing, a VFX company in London helped bring The Boys TV show to life (Den of Geek UK)
The Academy of Motion Picture Arts and Sciences announced that nine distinct scientific and technical investigations have been launched for 2019 (Post Magazine)
This year’s D23 Expo has come and gone, but the fan convention was practically with news about every aspect of Disney, from its theme parks to movies and TV shows (Slash Film)
“If VR can help people recognize the potential of getting actual clinical help, it’s a good thing” (WHYY)
Industry veteran joins company’s pre-production studio to help merge previs, techvis and postvis together into flexible, storyteller-focused integrated production pipeline (Animation World Network)
Jenny Lumpkin has joined The Mill Chicago as executive producer. She spent the past seven years at Chicago-based Quriosity Productions (SHOOT Online)
Nickelodeon has appointed Ashley Kaplan as Senior Vice President, Digital Studios, and Luke Wahl as Vice President of the division (Animation Magazine)
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