The award-winning definitive authority on all things visual effects in the world of film, TV, gaming, virtual reality, commercials, theme parks, and other new media.
Winner of two prestigious 2018 Folio Awards for excellence in publishing.
“It’s special,” Cameron said of the TERMINATOR success that propelled him toward ever-grander spectacle projects like ALIENS, THE ABYSS, TITANIC, and AVATAR (Deadline)
Led by Emmy-nominated VFX supervisor Mahmoud Rahnama, the studio’s visual effects work spanned 1,100 shots done in just 11 months across four different facilities (Animation World Network)
The Academy of Motion Picture Arts and Sciences announced that nine distinct scientific and technical investigations have been launched for 2019 (Post Magazine)
This year’s D23 Expo has come and gone, but the fan convention was practically with news about every aspect of Disney, from its theme parks to movies and TV shows (Slash Film)
“If VR can help people recognize the potential of getting actual clinical help, it’s a good thing” (WHYY)
Industry veteran joins company’s pre-production studio to help merge previs, techvis and postvis together into flexible, storyteller-focused integrated production pipeline (Animation World Network)
Jenny Lumpkin has joined The Mill Chicago as executive producer. She spent the past seven years at Chicago-based Quriosity Productions (SHOOT Online)
Nickelodeon has appointed Ashley Kaplan as Senior Vice President, Digital Studios, and Luke Wahl as Vice President of the division (Animation Magazine)