VFX Voice

The award-winning definitive authority on all things visual effects in the world of film, TV, gaming, virtual reality, commercials, theme parks, and other new media.

Winner of three prestigious Folio Awards for excellence in publishing.

Subscribe to the VFX Voice Print Edition

Subscriptions & Single Issues


March 20
2019

ISSUE

Spring 2019

17th Annual VES Awards Winners Photo Gallery

The VES Award for Outstanding Visual Effects in a Photoreal Feature went to Avengers: Infinity War, which won four VES Awards, including Outstanding Animated Character in a Photoreal Feature (Avengers: Infinity War; Thanos), Outstanding Effects Simulations in a Photoreal Feature (Avengers: Infinity War; Titan) and Outstanding Compositing in a Photoreal Feature (Avengers: Infinity War; Titan). (Photos courtesy of Marvel Studios.)

Spider-Man: Into the Spider-Verse won the VES Award for Outstanding Visual Effects in an Animated Feature, and won three additional VES Awards, including Outstanding Animated Character in an Animated Feature (Miles Morales), Outstanding Created Environment in an Animated Feature (Graphic New York City) and Outstanding Effects Simulations in an Animated Feature. (Photo courtesy of Sony Pictures Animation. All rights reserved.)

Lost in Space won the VES Award for Outstanding Visual Effects in a Photoreal Episode (Lost in Space; Danger, Will Robinson). The series won four VES Awards, including Outstanding Animated Character in a Episode or Real-Time Project (Lost in Space; Humanoid), Outstanding Effects Simulations in an Episode, Commercial or Real-Time Project (Lost in Space; Pilot; Impact Area) and Outstanding Compositing in a Photoreal Episode (Lost in Space; Impact; Crash Site Rescue). (Photos courtesy of Netflix.)


Share this post with

Most Popular Stories

CHANNELING THE VISUAL EFFECTS ON SET FOR THE WHEEL OF TIME SEASON 2
23 January 2024
VES Awards
CHANNELING THE VISUAL EFFECTS ON SET FOR THE WHEEL OF TIME SEASON 2
In the case of the second season of The Wheel of Time, the on-set visual effects supervision was equally divided between Roni Rodrigues and Mike Stillwell.
2024 STATE OF THE VFX/ANIMATION INDUSTRY: FULL SPEED AHEAD
09 January 2024
VES Awards
2024 STATE OF THE VFX/ANIMATION INDUSTRY: FULL SPEED AHEAD
Despite production lulls, innovations continue to forward the craft.
NAVIGATING LONDON UNDERWATER FOR THE END WE START FROM
05 March 2024
VES Awards
NAVIGATING LONDON UNDERWATER FOR THE END WE START FROM
Mahalia Belo’s remarkable feature directorial debut The End We Start From follows a woman (Jodie Comer) and her newborn child as she embarks on a treacherous journey to find safe refuge after a devastating flood.
REMOTE WORK 2024: FINDING THE BEST BALANCE BETWEEN HOME AND OFFICE
17 January 2024
VES Awards
REMOTE WORK 2024: FINDING THE BEST BALANCE BETWEEN HOME AND OFFICE
In just a few years, turbocharged by the pandemic, remote work has become widely established in the VFX industry and is now a preferred option for many visual artists.
GAIA BUSSOLATI: CONNECTING HOLLYWOOD AND ITALIAN CINEMA – AND STAYING CURIOUS
09 January 2024
VES Awards
GAIA BUSSOLATI: CONNECTING HOLLYWOOD AND ITALIAN CINEMA – AND STAYING CURIOUS
VFX Supervisor bridges Italian cinema, Hollywood blockbusters.