21 January 2025
VFX Weekly
DNEG VFX Supervisor Chris Keller on the visual effects of the Netflix original action film TRIPLE FRONTIER (VFX Voice)
Keying, tracking, cleanup, and visual effects compositing, right inside Adobe After Effects (Creative Cow)
Chaos Czech has released its second major update in two weeks, bringing the power of one-click caustics to Cinema 4D (Animation Magazine)
“We barely made it,” said visual effects supervisor Everett Burrell with a laugh, remembering the rush to finish postproduction on the first season of Netflix’s The Umbrella Academy (The Wrap)
Igneous, Inc., the Seattle-based startup delivering the only Unstructured Data Management (UDM) as-a-Service solution, has been selected by Tippett Studio to modernize and simplify its ever-expanding data management and protection operations. (Yahoo!)
How Stomach-Turning CG Imagery Amplified the Emotions of Director Richard Shepard’s Lurid Story of Jealousy, Conflict and Revenge (Studio Daily)
Oscar winners Spider-Man: Into the Spider-Verse and First Man, Stranger Things, Avengers: Endgame, Toy Story 4 and Game of Thrones among expansive slate of planned feature film, streaming, games and VR presentations (Animation World Network)
Howard is attached to direct The Shrinking of Treehorn, a children’s book by Florence Parry Heide with illustrations from Edward Gorey, originally published in 1971 (Variety)
The new Lion King rides an atomically thin line between CGI animation and live action. (Wired)
The visual effects supervisors on The Umbrella Academy and Star Trek: Discovery also reveal the work that went into key scenes (The Hollywood Reporter)
Woody, Buzz and co didn’t just charm families in 1995 – they started an arms race that ushered in a new era of filmmaking (The Guardian)
High-profile creative hires Emile Ghorayeb, Keith Roberts and Spencer Cook join Gilman to bolster studio’s global expansion plans. (Animation World Network)
Moving Picture Company (MPC) has bolstered its color team in London with the arrival of Yoomin Lee. (SHOOT Online)
Joining new recruits Freya Maddock and Jo Scott, Richards will head up ARC’s offering in post and FX, joining an already outstanding roster of post-production talent working across their Melbourne and Sydney studios (Branding in Asia)
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