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1495 Posts
Exclusives, Film 08.28.2018
Planes, Paris, Masks and Mirrors: The VFX of MISSION: IMPOSSIBLE – FALLOUT
Mission: Impossible - Fallout Production VFX Supervisor Jody Johnson on the sequel's 2,000 effects shots
Animation, Exclusives 08.21.2018
HOTEL TRANSYLVANIA 3: The Making of a Giant, Singing Kraken
Hotel Transylvania 3: Summer Vacation VFX Supervisor Mike Ford on how the movie's Kraken was created.
Exclusives 08.15.2018
SOLO VFX Supervisor Rob Bredow on the Power of Creativity
ILM's Rob Bredow on Creativity and the Academy Software Foundation
Exclusives, Film 08.14.2018
Creating the Size-Shifting Car Chase in ANT-MAN AND THE WASP
DNEG Visual Effects Supervisor Alessandro Ongaro on How the Ant-Man and the Wasp car chase scene was achieved.
Exclusives, Film 08.07.2018
End of Spreadsheets? VFX Producer Joyce Cox Releases New VFX Budgeting Tool
VFX Producer Joyce Cox on her visual effects budgeting software Curó
Exclusives, VFX Profile 07.24.2018
Women Lead: Spotlight on Women in VFX Creator Charmaine Chan
Women in VFX Founder Charmaine Chan on the current state of the industry
Exclusives, Television/ Streaming 07.05.2018
BLACK MIRROR’s ‘USS Callister’: Crafting Effects for a Modern-Day Sci-Fi Satire
BLACK MIRROR: U.S.S. Callister Visual Effects Supervisor Russell Dodgson on three effects challenges in the show.
Exclusives, Film 06.13.2018
Inside SOLO’s Millennium Falcon: Old School Meets New School
How SOLO incorporated the old-school effects technique of rear projection for the Millennium Falcon cockpit scenes.
Exclusives, Film 06.08.2018
VFX Drive DEADPOOL 2’s Crazy Convoy Clash
Deadpool 2 Production VFX Supervisor Dan Glass and DNEG Visual Effects Supervisor Mike Brazelton on the biggest challenges of the convoy sequence.
Exclusives, Television/ Streaming 06.04.2018
A Generation of STAR TREK Effects on TV
STAR TREK VFX Supervisor/Producer Dan Curry on TV VFX transitioning from the film, optical, motion control and miniature worlds to the use of computer-generated imagery and digital compositing.
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