21 January 2025
VFX Weekly
The Mill on the development of its Mascot system, how it works and the Vonster commercial spots that it has created. (VFX Voice)
Technicolor’s Mill Film Adelaide studio is drawing on local and international talent to build its workforce which is expected to grow to 300 employees by the end of 2019. (Brand South Australia News)
VFX producer Steve Kullback and supervisor Joe Bauer explain the challenges and fun of pushing the boundaries of special effects. (YouTube)
New release brings many new features, including real-time ray tracing, to developers in the fastest version of Unreal Engine 4 to date. (Animation World Network)
International conference on Animation, Effects, Games and Immersive Media running April 30 through May 3 sets additional speakers on VFX for television & global animation production. (Animation World Network)
UK Screen Alliance is encouraging all VFX, post-production and animation workers who are E.U. citizens and are either currently in the U.K. or arrive before the ending of free movement, to apply for Settled or Pre-Settled status (Animation Magazine)
Content-Aware Fill for video is coming to After Effects. (The Hollywood Reporter)
At NAB, Brainstorm is showcasing its complete product range, including solutions for motion graphics, virtual sets and augmented reality. (Post Magazine)
Autodesk has released 3ds Max 2020, the latest version of its 3D modeling, animation and rendering software. The new release revamps the user experience with customer-requested features that enable faster playback speeds, optimize performance and increase flexibility. (Post Magazine)
Over the last two-and-a-half decades, which included 21 years at ILM, De Quattro has worked with some of the industry’s best known directors (Post Magazine)
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