August 8, 2020

AUTODESK INSIGHTS: Harnessing Passion for the Craft: Greg Anderson

Acclaimed Visual Effects Supervisor Greg Anderson has been working in film, commercials and episodic TV for two decades (VFX Voice)

Netflix’s OLD GUARD Was Built By a Post-Production Team Made Up of 85 Percent Women

The streamer may launch a franchise driven by one of the most diverse behind-the-camera teams assembled for a comic book feature (The Hollywood Reporter)

Future of Cinematography: How Will the Show Go On?

ASC members and Future Practices Committee chairs Amelia Vincent and Erik Messerschmidt discuss concerns over Covid-19 and ensuring health and safety for all (American Cinematogarpher)

Vancouver, Canada’s Animation Powerhouse, Is Thriving In The Pandemic

The pandemic has not hurt animation production in the city. In fact, it might have increased it (Cartoon Brew)

Disney to Release MULAN on Streaming Service, For a Price

The Walt Disney Co. said Tuesday that it will debut its live-action blockbuster on its subscription streaming service, Disney+, on Sept. 4 (SHOOT Online)

Leading Special Effects Makeup Company Charts New Path for Korean Films

“Our job is deceiving audiences,” said Kwak Tae-yong, co-head of Technical Art Studio Cell (The Korea Times)