The award-winning definitive authority on all things visual effects in the world of film, TV, gaming, virtual reality, commercials, theme parks, and other new media.
Winner of three prestigious Folio Awards for excellence in publishing.
VFX Voice
The award-winning definitive authority on all things visual effects in the world of film, TV, gaming, virtual reality, commercials, theme parks, and other new media.
Winner of three prestigious Folio Awards for excellence in publishing.
There is some debate about what was the very first episodic or serialized TV show now that streaming and broadcast television have been refining both of those concepts spectacularly and innovatively in more recent years.
Netflix’s The Adam Project is a family drama embedded in time-traveling, world-saving science fiction. To help with the sci-fi aspect, Overall Visual Effects Supervisor Alessandro Ongaro tasked DNEG London with conjuring up unique-looking wormholes, decades-hopping “time jets” and digi-double “time soldiers.”
For Australian author Aaron Blabey, the best way to describe The Bad Guys, a series of illustrated books depicting what are viewed to be despicable creatures trying to redeem themselves, was as “Tarantino for kids.”
Highlighting the rogues' gallery of Spider-Man villains is the Sony Pictures Universe of Marvel Characters, which began with the malevolent symbiote Venom and has expanded to include Dr. Michael Morbius, a brilliant biochemist turned vampire.
Registration is open for #SIGGRAPH2026! Join us July 19–23 in Los Angeles to connect, collaborate, and innovate across industries. From research to entertainment, discover how computer graphics is shaping the future.
Be part of the adventure: https://s2026.siggraph.org/register/
Pixar meets technical challenges with a trio of new advances.
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