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April 01
2025

ISSUE

Spring 2025

TAKASHI YAMAZAKI: REIGNITING THE MOVIE MONSTER GENRE

By NAOMI GOLDMAN

All photos by Moloshok Photography.

Writer-director Michael Dougherty presents Takashi Yamazaki with the VES Visionary Award.

Takashi Yamazaki with the VES Visionary Award.

Yamazaki and Hiroyuki Sanada, recipient of the VES Award for Creative Excellence.

Takashi Yamazaki is a renowned talent in Japanese cinema who accomplished a significant feat when he became only the second director to win an Academy Award for Best Visual Effects for Godzilla Minus One – and in the process reinvigorated a legendary kaiju franchise. As a filmmaker and visual effects supervisor, he is regarded as one of Japan’s leading film directors. Yamazaki is set to make his Hollywood debut with Grandgear for Bad Robot and Sony Pictures, and recently announced that he is working on the screenplay and storyboards for the much-anticipated next Godzilla movie.

For his consummate artistry, expansive storytelling and profound ability to use visual effects to bring his unique visions to life, the Society honored Takashi Yamazaki with the VES Visionary Award at the 23rd Annual VES Awards. “Takashi has been at the forefront in using visual effects to tell remarkable stories that transfix audiences and create unforgettable cinematic experiences,” said VES Chair Kim Davidson. “As a creative force who has made an indelible mark in the world of filmed entertainment, we are honored to award him with the prestigious VES Visionary Award.”

Michael Dougherty, director of Godzilla: King of the Monsters, gave this tribute in presenting the award to his colleague in the kaiju genre: “Takashi is a filmmaker whose work is both humbling and inspiring. He was so moved by Star Wars and Close Encounters that he started his career building miniatures and working tirelessly as a visual effects supervisor before directing his own films. Takashi’s work pushes the boundaries of visual effects, blending technical innovation and compelling storytelling to create immersive and iconic films. Godzilla Minus One resurrected the king of the monsters. Yes, Godzilla has a soul, and Takashi captured it in such a way that moved the world, earning Japan its first Academy Award for Visual Effects.”

In accepting his award, Yamazaki remarked, “I’m truly surprised and overjoyed to receive such a wonderful award. I started this career with a dream of working with people around the world like a pioneer in visual effects; however, in Japan, there were hardly any opportunities for this type of work. I kept telling myself that as long as I was born in Japan, bringing spaceships, robots and kaiju to the screen was already a dream come true. But then Godzilla brought me to this incredible place. Thank you, Godzilla! And I believe many of you can relate when I say – I want to praise my young self for choosing to pursue this career. Thank you for this great honor.”

VES Chair Kim Davidson, VES Executive Director Nancy Ward, Michael Dougherty and Takashi Yamazaki.



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