The award-winning definitive authority on all things visual effects in the world of film, TV, gaming, virtual reality, commercials, theme parks, and other new media.
Winner of three prestigious Folio Awards for excellence in publishing.
VFX Voice
The award-winning definitive authority on all things visual effects in the world of film, TV, gaming, virtual reality, commercials, theme parks, and other new media.
Winner of three prestigious Folio Awards for excellence in publishing.
When, as a youth, Visual Effects Supervisor John ‘DJ’ Des Jardin saw
the 1976 remake of King Kong, he was at first unaware that most of
the scenes featuring the great ape were done with Rick Baker in an
ape suit. “It was only later I found out about how the giant 40-foot
ape built by Carlo Rambaldi was only used in a few shots,” he admits,
“as it was too big to articulate a practical one, except for the full-scale
hand holding Jessica Lange. With our Godzilla vs. Kong, prosthetic
monsters would have been even more impractical, given these creatures
are nearly 10 times the height of that Kong.”
Visual Effects Supervisors Matt Kasmir and Chris Lawrence discuss the virtual productions techniques deployed for director/star George Clooney’s Netflix film.
Registration is open for #SIGGRAPH2026! Join us July 19–23 in Los Angeles to connect, collaborate, and innovate across industries. From research to entertainment, discover how computer graphics is shaping the future.
Be part of the adventure: https://s2026.siggraph.org/register/
Pixar meets technical challenges with a trio of new advances.
Newsletter
[mc4wp_form id=”362″]
REGISTER
[register_form]
LOG IN
[login_form]
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.