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ROLLING OUT BIGGER, BETTER VISUAL EFFECTS FOR SEASON 2 OF WEDNESDAY

By TREVOR HOGG Images courtesy of Netflix. As with the first season where he directed four of the eight episodes, the sophomore outing of Wednesday has Director/Executive Producer Tim Burton helming the same number of episodes and retaining his signature quirky, macabre Gothic visual sensibility. Returning once again to digitally enhance the supernatural mayhem and [...]

MAC GUFF BRINGS BIG-TIME VISUAL EFFECTS TO THE INCREDIBLE SHRINKING MAN

French Shrinking Man uses complex motion control and VFX to scale Jean Dujardin to tiny size, blending real sets with CG for realism.

BELOFX BOARDS THE LOST BUS FOR ITS HARROWING TRIAL BY FIRE

By TREVOR HOGG Images courtesy of beloFX and Apple TV. Power lines were placed closer to Paradise than in reality for cinematic reasons. A fierce California windstorm in 2018 causes a transformer to spark and ignite the most devastating wildfire in the history of state. To place audiences in the middle of the oncoming, ongoing [...]

THE CREEPY SCARES AND HAPPY ACCIDENTS OF GOOSEBUMPS: THE VANISHING

By TREVOR HOGG Images courtesy of Disney+. A car gets infected by an alien substance that turns it into a sentient, self-driving vehicle that is able to repair itself. Originally a series of children horror books written by R.L. Stine and subsequently adapted as an episodic anthology television series, Goosebumps was resurrected by Rob Letterman [...]

CHRIS MACLEAN LAYS THE VFX GROUNDWORK FOR FOUNDATION SEASON 3

By TREVOR HOGG Images courtesy of Apple TV, except where noted. The introduction of the Mule, which has him using his telepathic powers to have an armada fire upon itself, was the hook that made Chris MacLean want to work on Season 3. Defying expectations is something that Executive Producer/Showrunner David Goyer does well, and [...]

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