VFX Voice

The award-winning definitive authority on all things visual effects in the world of film, TV, gaming, virtual reality, commercials, theme parks, and other new media.

Winner of three prestigious Folio Awards for excellence in publishing.

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EMBRACING THE COLORFUL FUN OF MASTERS OF THE UNIVERSE

Images courtesy of Amazon MGM Studios. On a disused runway in Boddington, England, a section of highway was created for when Beast Man pursues Adam/He-Man (Nicholas Galitzine) and Teela (Camilia Mendes) in Oklahoma City. When it came to developing his second live-action feature, filmmaker Travis Knight had a particular tone in mind for Masters of [...]

VIVA NEW VEGAS – AND THE DEATHCLAWS AND RADSCORPIONS TERRORIZING FALLOUT SEASON 2

Images courtesy of Prime Video. Season 2 of Fallout expands the scope of the post-apocalyptic world with new creatures, extensive virtual production, larger environments and a faithful recreation of New Vegas. One unique aspect of the production was shooting volume stage sequences on film. According to Jay Worth, Visual Effects Supervisor on Fallout – whose [...]

VINE FX SETS THE MOORLANDS ABLAZE FOR AFTER THE FLOOD SEASON 2

Images courtesy of Vine FX and ITV. Newly promoted Detective Jo Marshall (Sophie Rundle) investigates the discovery of a body on the moors of Waterside after a wildfire and learns of illegal chemical discharges in Season 2 of After the Flood. Serving as the sole visual effects vendor, Vine FX (The Witcher) produced 336 shots [...]

BLIND BEAGLE VFX DELIVERS MINIATURES, MOTION CONTROL AND MAYHEM FOR I LOVE BOOSTERS

Images courtesy of Blind Beagle VFX. Christopher Lee Warren with Ryan Bradford at the mall where the Velvet Gang drives up the escalators to flee the police. In Boots Riley's I Love Boosters, a gang of impeccably dressed shoplifters joins forces with a factory worker on a mission to take down a ruthless fashion mogul. [...]

VFX EMMY PREVIEW: CONTENDERS STRETCHING THE SMALL SCREEN TO MAKE EPIC TV

For Season 2 of Monarch: Legacy of Monsters, different levels of dirt were given to Kong to better integrate him with the environment. (Image courtesy of Apple TV) While the expectations for episodic have grown, the restrictions of time and money continue the usual trend of becoming tighter. Visual effects teams have to be resourceful [...]

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